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Busty Tour
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Bukchon Hanok Village is a unique destination with a lot of exciting history to offer its visitors. Recently, the village's popularity got a boost after the video of a busty tour guide showing her viewers around the village went viral.
In 2014, Busty and the Bass beat out hundreds of other musical acts to win CBC and TD Bank's Rock Your Campus competition, earning the title of Canada's Top University Band.[5] Since then, the band has toured extensively across Canada, the United States, and Europe, and performed at festivals including Osheaga, Pinkpop, the Montreal International Jazz Festival, and Made in America.[6][7][8][9]
Uncommon Good's second single, \"Memories and Melodies,\" was released on 5 April 2017.[38] The album's third single, \"Common Ground,\" was released on 30 June 2017, with a music video filmed during the band's spring European tour and directed by Greg McCahon released on 6 July 2017.[33][39][40] The album's final single, \"Closer,\" was released on 25 August 2017, and was included in Spotify Canada's New Music Friday playlist.[33] The full album was released on 8 September 2017 at a sold-out show at the New York venue Mercury Lounge.[2][3][41]
Louis Stein: A friend of ours is a teacher candidate at Queen's University and we had been discussing brainstorming this idea of incorporating school visits into a tour schedule. She had been recently placed at that school and invited us to come. We did a full concert for the entire school and then we had small group, intimate coaching for the seventh and eighth grades, who are a little more advanced on their instruments. It was an amazing experience and we were blown away by the excitement and enthusiasm. We thought we were going to have to win them over more, but they were really excited to see us and feel the music and let loose and get stoked about playing instruments.
LS: This school definitely needed our help. Right now it's almost singlehandedly being kept going and carried by one specific teacher and she's dedicated to getting the instruments, doing everything. The budget is really, really small. So we're trying to make this part of our tour schedule and we're trying to specifically hit up schools where we're making the biggest difference, schools that have no or very little music programs. Because it's only one day there's only so much they can learn from us. But maybe they'll think about music differently and maybe they'll take something like that a little more serious.
NF: We want to be adaptable, but we also want to learn a lot more. We're just getting this off the ground and there are so many different ways it could go. We're going to a conference [Jan. 17], at least the two of us are, the Coalition for Music Education. It's a symposium for music education. It was really strange, especially talking to the teachers after, and even for ourselves asking, \"Why we didn't do it earlier\" It's so easy integrating into a tour schedule. And there's so many different ways schools are willing to receive it. You can put on a show. Literally just that, 45 minutes for the kids, you talk a bit, then you leave. You don't have to do the whole clinic. You're still bringing something. You can be in and out in an hour or you can spend a whole afternoon. And hopefully we can get other artists talking about it and getting as many schools as we can.
Speaking about lessons, you're a nine-piece band that's been on the indie touring grind. That's a hugely difficult thing to do with a group that big. What are some of the things you've learned along the way
LS: For the me the biggest thing is working with others. As hippie as it sounds, I feel like musicians who have done the tour grind, after that part of their lives is done, could literally do anything and should be hired by every company possible because of their teamwork and team-building skills. There are no clearly defined rules on tour, but people will fall into roles with what they're doing. Everything's up for debate in a good way, and it's just how to work well with others and how to be a good person because you're seeing and interacting with people at your best and at your worst. You've had three early morning flights in a row and it's like your body and spirit is crumbling and there's a problem at soundcheck and you have to learn to be a good person through it... but you do. After things like that every other human interaction seems so much easier.
And I'll be honest - at this point I've got it upside down, I'm using it as a footstool, and I've installed a subwoofer the size of Plymouth next to it, along with a pair of busty and unshielded speakers. Made out of lions.
Chinese Premier Li Keqiang(L) visits an administrative service center at the Hubei province's free trade zone (FTZ) in Wuhan, capital of central China's Hubei Province, Dec. 11, 2017. Li made an inspection tour, which ran from Monday to Tuesday in the city of Wuhan, Hubei Province. (Xinhua/Yao Dawei)
Reviewed by: The Story of Salt Elizabeth Bush Kurlansky, Mark The Story of Salt; illus. by S. D. Schindler. Putnam, 200648p ISBN 0-399-23998-7$16.99 R Gr. 4-8 After their notable success in transforming Kurlansky's adult work on cod into a children's book (The Cod's Tale, BCCB 10/01), what could be more natural than for Kurlansky and Schindler to have a go at refashioning Salt Following a brief introduction to salt's chemical composition and its role in human and animal health, Kurlansky takes readers on a world tour of the geological milieus where salt hangs out, the ancient civilizations that developed large-scale salt production, and the culinary and economic value of salt over time. Without the strong historical trajectory of The Cod's Tale, in which the fish was both the object of pursuit and the enabler of pursuit itself, The Story of Salt lends itself as willingly to browsers as to serious readers. Sidebars and tasty tidbits range from explosive Chinese saltworks (they hadn't reckoned on the proximity of natural gas), to the heavily \"sal\"-ted Roman vocabulary, to the \"ship of state\" salt dispensers that graced the tables of French kings. Salt itself doesn't vamp for Schindler as alluringly as the more expressive codfish, but the finely detailed ink-scratch and watercolor scenes are imbued with a droll humor that will keep pages steadily flipping. Those busty French ladies conceal contraband salt fish under their straining stays, and Uncle Sam empties his massive salt shaker over the globe, while a host of representatives from other cultures and nations regard this expression of U.S. dominance of the salt trade with justifiable skepticism. A concluding timeline of \"Salt through the Ages\" actually supplements rather than recaps the text, inviting readers to take one last lick.
In a country where busty bombshells have long been the main female images on ad campaigns, three strong, competitive women have become national heroes. Now Ochoa, Ms. Guevera, and Ms. Jimenez are featured in campaigns for companies ranging from Audi to Aeromexico, selling everything from Nikes to Wonder Bread.
After less than a year as a professional golfer, the native Guadalajaran leads the rookie-of-the-year standings, finishing in the top 10 in four of the nine tournaments she has played, and ranking sixth on this year's money list. 781b155fdc